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The Buddha. Asvaghosha Bodhisattva. How to write a great review. The review must be at least 50 characters long.
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Continue shopping. Item s unavailable for purchase. Text Printer. The text printing in the books was executed by a different printer from the woodblock printer. Woodblock Printer. The woodblocks would be produced from the artist's work and then printed by the woodblock printer. It appears that most of the woodblock printing was done by the Komiya family. In his bibliography of these books, he documents the books and, as far as the information was available, gives the names of these key people.
His book also provides an in depth discussion of Hasegawa's life and business and the key authors and translators he employed. Sharf's work is an essential resource for the collector and student of these books.
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There are four basic sizes of the crepe paper books. The smallest size I have seen in the Japanese Fairy Tale books not calendars, however. This is the standard size for the Fairy Tale Series books. It is possible to generalize on size of crepe books versus plain paper books. As a general rule the plain paper books measure Since the crepe books were first completed in a plain paper format and the paper then creped, perhaps the difference is shrinkage during that process.
They were also sold in crepe paper versions. Discussed and illustrated below. Wraparound Cases Chitsu. When the books are enclosed in these hinged cases, the top and bottom of the case are open. Japanische Dramen: Terakoya u. Colophons Japanese Language. The books contain Japanese language colophons, generally at the rear. A word of caution is necessary regarding colophons in these books. It was not unusual for a later reprint of a book to contain the same colophon found in the earlier edition.
Dating these books can be a complicated undertaking and that is discussed below.
Amelang's Verlag, Leipzig Messrs. Imprint Books. These books are generally found bound into four volumes but sometimes unbound and in the original state. With offices in London and Sydney, and with a solid reputation for their children's books, the firm was an important client for Hasegawa in the 's.
The books that Griffith, Farran contracted with Hasegawa to produce were more in the Western vein, with sewn and glued spines , and with Griffith, Farran identification on the cover. Sharf at page 22, underlining is mine From a binding perspective the major distinction in these special production books is that they are not bound by stab ties or external string ties. Additional information on several of these books is found here. Different Language Versions. The Fairy Tale books were printed several languages. The same three titles were translated into Swedish see below.
A Dutch language calendar has also been reported Almanak voor An early edition Battle of the Monkey and the Crab is reported on plain paper in medium size In this book the covers are in color but the internal woodblocks are black and white.
This type of book would date between and In an advertisement published in , Hasegawa offered the 20 volume set "..